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The Heart of a Bootblack
By marc peurye
Great Lakes Bootblack 2002
Current Bootblack at the Chicago Eagle
October 2, 2003
3:00 A.M. The key twists in the lock and the door swings open. The
bicycle and helmet get deposited just inside the door. The backpack
comes off and gets thrown in the foyer leading to the interior of my
tiny apartment. Black polish is under my fingernails and leather dye
stains the palms of my hands. My body aches and I smell like a walking
ashtray. I’d like to think about why I do this to myself but instead
peel off my smelly, sweaty clothes and crash into bed alone. The
sandman followed me in the room and has already pounced.
I’ve been a bootblack for 12 years. Boots and boot blacking are my
passion, my fetish and a symbol of my service to the community, to
the people in my chair, and fulfill part of the need in my soul to
serve.
This part of my leather journey began with a man named Harry Shattuck.
Harry is a thin muscular, hairy, curly haired, very horny man who wore
no shirt to show off his muscular and furry chest. He wore short jean
shorts that when he bent over didn’t hide much. Watching him bootblack,
you felt you were interrupting something erotic. Harry had been the
bootblack of AA Meat Market and was at the time the bootblack of the
Chicago Eagle, a position he would later relinquish to the second
International Bootblack, William Shields, Jr., and later myself.
Harry went on to create the first bootblack contest, the International
Bootblack Competition. I have just finished my title year as Great Lakes
Bootblack 2002 and currently bootblack at the Cellblock Bar in Chicago.
Harry used to say our beginnings were with the women in the truck
stops but the tradition of boot blacking also dates to the early
beginnings of the modern day leather community.
The first thing Harry told me was not to do this for the money
and that this will never make you rich. The money has come in handy
but one could never actually live on it. He said "do it for the
love of doing it." Boots aren’t inanimate objects. They came from
a creature that walked, swam, crawled, hopped, or flew over this earth.
The leather continues to live on as boots on the feet of the person in
the chair. Leather wears - a vest, chaps, pants, and boots, whatever,
is a second skin over the epidermis below. Boot leather needs all the
care you would give your own skin or it will flake, dry out and crack.
You last longer when you take care of yourself. The same can be said
of your boots. I get often confused with a shoe shine boy. I will clean
and condition your boots. Shine what needs to be shined and oil what
needs to be oiled, but when I hold a pair of boots in my hands, I hold
a part of the man or woman in the chair. I make love to a person without
ever going above their knees. The heart of a bootblack beats with a job
well done but also knowing that you gave the person enjoyment and in
some select cases made them break a sweat while only sitting there. My
people have also told me that they find the smell of the fresh polish
is also sexy.
All bootblacks have their own techniques. I like to take a brush and
toothbrush around the base of the shoe and clean the edge of the boots.
The person feels the brush gently around the base of their foot. Harry
taught me to make love to a boot. My bar bootlick is sensuous but fast.
I prefer to start at the toe of a boot and going up and around making
little circles with my tongue and working my way up and around the
boot. Near the base, I lick in long streaks. Keep in mind that every
lick, every stoke of a brush, every time you rub in the polish or
the wax, every touch is also a touch of the person wearing the boots.
While you care for the boot, you care for the man or woman. This is
what makes boot blacking different from the shoe shine boy. It is a
shared experience of an exchange of power and respect.
Traditionally, boot blacking is also a negotiated BDSM scene. The
person who is in the chair is in charge of the scene for all the
"bottom" or bootblack will allow. Some people play
in the chair and some don’t. I meet some of my most interesting
tops by playing, within the law of the state and the bar, in the
chair. I have had fire play on my back, been whipped, flogged,
had my balls beaten, forced licking scenes, and being crop whipped
from above. Add the BDSM power exchange and the endorphins it
creates and it makes an erotic situation even more so.
Bootblacks also serve as other things. We are the concierge for
the local leather community as we o the boots of people who come
in from out of town or just plain information services for what
is happening at the event or in the bar. Like bartenders, priests,
and hairdressers, we become confessors. Then the submissive and
silence serve best in the milieu of silence, understanding, and
held confidences.
In the heart of the bootblack are many things but most of all
mutual trust, service, and respect.
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