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Blood Spatters
Copyright (c) 1996 Cuir Underground
From Issue 2.2 - October/November 1995
by Jack Fertig
As far back as I can remember I've been fascinated with blood
and with vampires. Not that I'd cut myself deliberately, but
even as a youngling, whenever I started to bleed, if I could
get the wound to my mouth, it was snack time! A few cooperative
friends would also allow me to feed, but after a couple of times,
their bravado gave way to "ewww... gross!" and concern
with germs, which is in fact correct.
By the early eighties, I was deep in the throes of erotic
perversion -- which I still celebrate -- but I was also
deep into alcoholism and unsafe sex. Blood was easily
found, and that lust as easily indulged as all the others.
My memory fades in and out of those intoxicated nights, but
I do remember once at the Hot House pulling my arm out of
a very capacious ass and delighting in the blood that
covered my bare arm like a glove. Priding myself as a
proper son of Vlad and de Sade, I licked up this exquisite
treat like a cat cleaning its paw, like an ogre feasting
on gore.
Now sober and epidemiologically educated, I know better,
but medical considerations aside, that memory remains a
favorite.
More recently, a piercing brought streams of blood from
my nipple, and one of the boys assisting fed me from that
spring via his latex gloved hand. Hungrily I licked at
his protected fingers. He fed me, he teased me, he smeared
my blood all over my face, leaving me to wear a crimson
mask of passion and power the rest of the night.
Is blood a feminine pleasure?
It's not easy finding men into blood sports. Is blood such
a feminine pleasure? From the dawn of humanity, women's mysteries
joined blood and power in an erotic union every month. It's been
suggested that Eve's apple is a scarlet euphemism for menstruation.
Exclusive to humans, this is a physical catalyst for conscious
reproductive choice, as well as chronological awareness. For
women, blood is indeed a deep power signifying life and wisdom.
It's no wonder that male initiation rites invariably involve
wounding and blood, in imitation of the feminine truth that
gives us humanity. But it remains that men bleed only in wounding,
in pain. Of course some men enjoy pain, but for male sadomasochists
it's mostly whips and wax, clips and electricity. Knives, needles,
and other sharps remain mostly in the realm of women. For Gay men
the blood also holds HIV, or at least the potential for deadly
infection, but that fear is only mythologically male. Anybody
of any gender may be carrying blood-borne pathogens, so any
form of hemosensualism must be carefully practiced.
Usually I have to enjoy not the blood itself, but its trappings.
The sensuality of a pulse, the lick of a tongue against the wrist,
teasing at that delicate skin and the vein just beneath it,
tracing my way up along the arm through the inner elbow, that
wellspring so adoringly polluted by junkies. But no poison here,
my sweet. Just a tongue savoring the taste of your pulse, your
life, your passion, tracing up further past the pulse at your
pit, just enough to tease and tickle before I take your neck.
Yes, there I can hold you tight, my arms securing your body while
my mouth holds down on your jugular. Your skin still intact, I
taste your flesh, with just the hint of blood behind it as we
celebrate the shadow of a communion, a pantomime of nosferatu
lust. I ache for your blood, and with my whips and canes, with
needles and knives, I'll see your pretty ass and thighs dripping
with ruby life that only you, my dear, may taste.
Theatre des Vampires
Inspired by the Parisian band, we created our own Theatre des
Vampires to perform on the feast of St. Sebastian. In our homage
to the saint, we sacrificed a pretty little blond boy to Diocletian's
lust. As archers took aim, a dark angel pierced the saint's flesh
with needles, and trickling blood set the tone for the night's
festivities.
Under the watchful eye of a dungeon monitor, scalpels and
needles tapped the springs of life and joy. One pair of young
nosferatu pierced each other with filaments threading back and
forth. Separate threads were connected at knots to preserve
prophylactic integrity, yet the knots connected them like
mutual marionettes, each pulling with gentle tugs to draw
a bit of blood where the strings ran through their flesh.
More than a bit. They drew enough blood to put on some ice
cream for sanguine sundaes. In the art room our own dear
little Claudia was drawing out her own crimson ink onto
paper, truly putting her life into her art.
My master went to le Theatre des Vampires and all I got
was this bloody t-shirt! Some lucky revelers received pet
leeches, pretty little things that showed the most amazing
colors as they fed and grew, almost becoming plaid before
they fell, sated and happy, into their little cups.
For the producers it was a dream come true, but it was a
lot of work and some expense! And yet... Claudia says,
"I want more!" and we could never deny the
beloved child anything. Someday, my dearest, Vlad and
I will be ready, and more you shall have. Patience, my
child, is not only a virtue. For the undying, it is an
easy luxury.
This document is part of the
"Cuir Underground Archives"
subsection of this site's online library.
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